the Friday Fetch-it

Everyone's a costcutter on Vagina Row

About the Friday Fetch-it

Hi! This is the Friday Fetch-it, an occasional blog in which I recommend interesting, obscure and underheard music.

New recommendations appear whenever I have something awesome to recommend, but always on a Friday. (It used to be every Friday, but that became unsustainable.)

If you'd already fetched a song before I recommended it, you may award yourself one highly-coveted Absurdly Alliterative Friday Fetch-it Pre-emption Point™ (AAFFPP™). Absolute gold-dust, those are.

the Friday Fetch-it is written by Greg K Nicholson and is a wholly-owned subsidiary of Mooquackwooftweetmeow.

Tuned: the state of having tunes. Stay tuned.

“Promises of Passion and Adventure” (the 2006-11-11 Saturday Fetch-it)

Animator passes the whistle test. After hearing it once or twice, about a month later I remembered the chorus and the instrumental hook just from the title. Yay me.

Guillemotsishly, Pull Tiger Tail perform under almost-plausible pseudonyms – Marcus Ardere, the mild-mannered janitor, becomes Marcus Firefly; the already-moderately-implausibly-named David McKenzie-McConville is transformed into David "Davo" Huevo upon eating a banana; and by night Jack Navarone is the evil Jack O'Moriarty.

Animator begins with the guitar hook, which uses a grand total of three notes and (once again) is bouncily Fingers in the Factoriesish. A bassline that sounds vaguely like Y Control joins in, then lots of percussion.

In the verse the instruments drop to accompaniment and focus shifts to the lead vocal; the verse's structure and accompaniment are reminiscent of a Maxïmo Park or ¡Forward, Russia! song.

The lead vocals hold the chorus – the title repeated lots – together. They're part-¡Forward, Russia! (but less frantically mental), part-Tom Robinson (but nestle in amongst the instrumentation better) and at times part-Morrissey (but less disdain/depression/apathy–inducing). The backing vocals add a succession of rising "aaah"s to the chorus, which lend the song an epic-like-Dante's-Divine-Comedy-not-like-Doves feel; they're almost dæmonic.

The guitar hook pops up half-way through the chorus, and reappears between the first chorus and the second verse. After the second chorus the lead-up to the bridge is a lot quieter, led by a legato vocal line (of "oooh"s) with the bass playing a take on the hook.

In the bridge and final chorus the accompaniment goes at full pelt, and escalates with added hi-hats and increasingly frantic bass half-way through the bridge. The lead singer (presumably the Firefly bloke, since his name's first) comes closest to unrestraint during the last chorus (prompting accusations of Morrissiness).

A ten-second guitar solo carries the song to its climax, before returning to the hook to close the song.

Now try whistling it. If you download one song this week, make it Animator. Stay tuned.


(This entry was originally published on Last.fm.)

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